![]() Several people who knew Al Wilson said that he would sometimes weight the tip of the 7 draw reed to lower its pitch by a semitone, however if this were the case, then that slide down would include an F# (6 draw) and listening to it at slow speed indicates there is no discrete F# note present. If he had to switch between an overblowing and drawing, there would be a slight hiccup in this phrase. However, the slide down from this note includes a very quick slur over the D (5 draw) and the B (4 draw). Perhaps he played an overblow? That is possible as other players around that time were starting to discover overblows and the hole 6 overblow on an A harp would give you a G. ![]() Several suggestions have been put forward. It is not possible to bend the G# in this octave, so how did he do it? In the middle of a typically lyrical solo on Canned Heat's "On The Road Again", Al Wilson hits a G in the midrange of his A harmonica.Ī standard diatonic in the key of A has a G#, but no G built into it. How did Alan Wilson play the solo on "On The Road Again"? by Pat Missin ( visit his site)
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